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In the world of kids music, Raffi was a national treasure (he’s also something of an enigma: a children’s musician who never had children of his own). His music is playful and sincere, with songs that are easy to sing along to. He plays guitar well, and he uses simple lyrics that emphasize rhythm and rhyme.
He also has a lot of charm, and the likability of his music translates on the cover art. Take, for example, the cover of 1982’s Rise and Shine. It features a tubular outline of a house, and it looks like it could fit right in with the minimalist works of the Vancouver School.
But what makes this album cover Raffi777 really stand out is that Raffi is in it. He’s holding two tomatoes, which he looks like he might have just gotten caught stealing, and wearing an epic bowtie and a shop apron that spells out his own name. Behind him are a Bob Ross look-a-like and a bunch of ferns. The whole thing is a little chaotic, but it’s also totally charming. It’s almost enough to make you want to go out and play.
A national (Canadian) treasure, children’s musician Raffi has inspired an outpouring of affection and nostalgia. And yet, there is a strange undercurrent of skepticism and wonder about his offbeat cultural persona.
Take the cover of his classic 1982 album Rise and Shine, for instance. It features a stuffed animal zoo that would look at home in the Minimalist collection at Dia: Beacon.
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